[{"data":1,"prerenderedAt":176},["ShallowReactive",2],{"nav:{}":3,"work:{\"slug\":\"ginger-cat-on-the-sill\"}":11},{"interactive":4,"playground":6,"journal":7,"kinds":9},{"total":5},1,true,{"total":8},0,{"total":10},2,{"work":12,"works":59},{"slug":13,"code":14,"title":15,"excerpt":19,"cover":23,"images":31,"youtube":40,"demo":41,"kinds":42,"topic":44,"featured":51,"pinned":51,"publishedAt":52,"body":53,"prompt":57,"tools":58},"ginger-cat-on-the-sill","011",{"ja":16,"en":17,"vi":18},"日だまりの昼寝","Sunlit Nap","Giấc ngủ trưa trong nắng",{"ja":20,"en":21,"vi":22},"日の当たる窓辺で眠る茶トラの猫。その下には、同じ午後を厚い絵具で。猫とゼラニウム、そして淡い金色の帯になった日だまり。","A ginger cat asleep on a sunny windowsill, and below it the same afternoon in thick paint: the cat, the geraniums, and a patch of light turned into a sweep of pale gold.","Một chú mèo mướp vàng ngủ trên bậu cửa sổ đầy nắng, và bên dưới là cùng buổi chiều ấy bằng sơn dày: con mèo, chậu phong lữ, và vệt nắng hóa thành một dải vàng nhạt.",{"url":24,"alt":25,"width":29,"height":30},"\u002Fimages\u002Fworks\u002Fginger-cat-on-the-sill\u002Fginger-cat-on-the-sill.webp",{"ja":26,"en":27,"vi":28},"上下ふたつに分かれたポスター。上は、午後の日ざしのなか、塗装のはげた白い窓台で丸くなって眠る茶トラの猫と、赤いゼラニウムの鉢の写真。下は、温かな白い紙の上に厚塗りの油彩で作り直した猫と鉢、淡い金色の帯。タイトル Sunlit Nap、添え書き A quiet afternoon by the window、No. 07。","A poster in two halves. Top: a photo of a ginger tabby cat curled asleep on a peeling white windowsill beside a pot of red geraniums, in afternoon sun. Bottom: the cat and the pot rebuilt in impasto oil paint on warm white paper, over a sweep of pale gold, with the title Sunlit Nap, the line A quiet afternoon by the window, and No. 07.","Một tấm áp phích chia hai nửa. Nửa trên là bức ảnh một chú mèo mướp vàng cuộn tròn ngủ trên bậu cửa sổ sơn trắng đã bong tróc, cạnh chậu hoa phong lữ đỏ, trong nắng chiều. Nửa dưới là con mèo và chậu hoa dựng lại bằng sơn dầu đắp dày trên giấy trắng ngà, trên một dải vàng nhạt, với tiêu đề Sunlit Nap, dòng chữ A quiet afternoon by the window và No. 07.",1086,1448,[32],{"url":33,"alt":34,"width":38,"height":39},"\u002Fimages\u002Fworks\u002Fginger-cat-on-the-sill\u002Fphoto.webp",{"ja":35,"en":36,"vi":37},"ポスターのもとになった生成写真。日の当たる窓台で、赤いゼラニウムの鉢のそばに眠る茶トラの猫。","The generated photo the poster started from: a ginger cat asleep on a sunlit windowsill beside a pot of red geraniums.","Bức ảnh được tạo ra làm điểm khởi đầu cho tấm áp phích: chú mèo mướp vàng ngủ trên bậu cửa sổ đầy nắng, cạnh chậu phong lữ đỏ.",1536,1024,[],null,[43],"image",{"slug":45,"name":46,"color":50},"two-halves",{"ja":47,"en":48,"vi":49},"ふたつの半分","Two halves","Hai nửa","#e8dcc4",false,"2026-11-04T00:00:00.000Z",{"ja":54,"en":55,"vi":56},"このポスターのプロンプトは、アップロードされた写真を前提にしている。でも写真はなかった。上の写真はまず次の説明から生成され、誰かが撮ったものであるかのようにプロンプトへ渡された。\n\n```text\n3:2 landscape. A ginger tabby cat asleep, curled up on a worn white-painted wooden windowsill, late-afternoon sun coming through the window, a small terracotta pot of red geraniums beside it, soft shadows of the window frame across the sill, warm natural colours. 35mm lens at eye level, shallow depth of field, gentle film grain. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\nタイトルと添え書き、*Sunlit Nap* と *A quiet afternoon by the window* は、ポスター自身が選んだもの。プロンプトは、絵に写っているものから短い英語のタイトルを付けるよう求めている。\n\nポスターのプロンプトは、ここでは英訳を載せている。","The poster prompt expects an uploaded photo, and there was none. The photo on top was generated\nfirst, from this description, then handed to the prompt as if someone had taken it:\n\n```text\n3:2 landscape. A ginger tabby cat asleep, curled up on a worn white-painted wooden windowsill, late-afternoon sun coming through the window, a small terracotta pot of red geraniums beside it, soft shadows of the window frame across the sill, warm natural colours. 35mm lens at eye level, shallow depth of field, gentle film grain. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\nThe title and the line under it, *Sunlit Nap* and *A quiet afternoon by the window*, are the\nposter's own. The prompt asks for a short English title drawn from what the picture shows.\n\nThe poster prompt is shown here in English translation.","Prompt áp phích này cần một bức ảnh tải lên, nhưng ở đây không có bức ảnh nào. Bức ảnh phía trên\nđược tạo trước, từ mô tả sau, rồi được trao cho prompt như thể có ai đó đã chụp nó:\n\n```text\n3:2 landscape. A ginger tabby cat asleep, curled up on a worn white-painted wooden windowsill, late-afternoon sun coming through the window, a small terracotta pot of red geraniums beside it, soft shadows of the window frame across the sill, warm natural colours. 35mm lens at eye level, shallow depth of field, gentle film grain. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\nTiêu đề và dòng chữ bên dưới, *Sunlit Nap* và *A quiet afternoon by the window*, là do chính tấm\náp phích chọn. Prompt yêu cầu một tiêu đề tiếng Anh ngắn, rút ra từ những gì có trong bức ảnh.\n\nPrompt áp phích ở đây được đăng bằng bản dịch tiếng Anh.","Impasto oil-painting miniature comparison poster\n\nGoal\nTurn each input photo into its own poster comparing photography and design; never combine photos. It works for people, animals, plants, architecture, objects and any kind of scene: follow what the original photo expresses, not a fixed theme.\n\nFormat and layout\nA 3:4 portrait canvas, split strictly in half, top and bottom, 50% each. The top is the photography zone, the bottom the design zone; the two meet directly along a clean horizontal edge, with no gap, gradient, feathering or overlap. All design elements and text sit inside the bottom zone; add no extra title area.\n\nPhotography zone\nKeep the original photo's real photographic texture, the subject's identity and number, outline, pose, proportions, key details, perspective, position, natural light and shadow and original colours, with only a light, refined colour grade. Secondary surroundings may be cropped or the background slightly extended, but never crop out, stretch, distort, mirror, duplicate, move or redraw the subject. No text, borders, paper texture or decoration in the photography zone.\n\nDesign zone\nTake the subject, outline, pose and spatial relationships from the same photo and rebuild them as an impasto oil-painting miniature with a sculptural sense of volume, through layered paint, palette-knife texture, hand shaping and undulating edges, rather than a mechanical copy of the photo's detail. Place the subject in the centre or slightly off it, and keep large areas of warm white paper blank; support the subject with a band of colour taken from the original photo, which may become ground, water, a path or an abstract slice of space. A few reflections, glints of light, rain or mist, or trailing strokes may stay, but add nothing unrelated.\n\nColour and material\nDraw the main colour, the secondary colours and the warm–cool relationships from the original photo, and reduce them to a harmonious, limited palette, keeping the subject's own colour character first rather than a fixed scheme. Raise the brightness and translucency of the design zone a little. Use the thickest paint for the colour band, the slices of setting and the highlights, and keep the subject finely structured; the paper shows a fine texture and a matte finish, never a plastic look.\n\nText\nIn the blank space of the design zone, place a short English title with one line of small subtitle; if needed, add a very small number or a tiny note. The type is thin and restrained, and may follow the subject's axis or the edge of the blank space. The text must come from what can be confirmed about the subject or the mood, spelled correctly; without reliable information, add no place names, dates, coordinates, brands, signatures, accounts or placeholders.\n\nMood\nQuiet, restrained and refined, with the order and collectable feel of an art publication; build the layers through material, blank space, volume and the subject's relationships.\n\nAvoid\nCombining different photos, changing the subject, unrelated top and bottom scenes, an illustrated photography zone, cluttered decoration, extra title bars, garbled or repeated text, logos, signatures, watermarks, cartoon styles, saturated clashing colours, dull muddy colours, fluorescent colours, candy filters, glossy plastic 3D, cheap CG and crowded scenes.","Codex image generation",{"items":60},[61,74,87,91,99,112,120,128,136,144,152,160,168],{"slug":62,"title":63,"topic":67},"trebuchet",{"ja":64,"en":65,"vi":66},"トレビュシェット — 13世紀の攻城兵器","The Trebuchet — a 13th-century siege engine","Trebuchet — cỗ máy công thành thế kỷ XIII",{"slug":68,"name":69,"color":73},"isekai-tour",{"ja":70,"en":71,"vi":72},"異世界ツアー","Isekai Tour","Du hành dị giới","#a8b998",{"slug":75,"title":76,"topic":80},"kinkakuji-kyoto",{"ja":77,"en":78,"vi":79},"静かな水に、金閣","Kinkaku-ji, gold on still water","Kim Các Tự, sắc vàng trên mặt nước lặng",{"slug":81,"name":82,"color":86},"palette-knife-cities",{"ja":83,"en":84,"vi":85},"パレットナイフの街","Palette-knife cities","Những thành phố bằng dao vẽ","#e9a23b",{"slug":13,"title":88,"topic":89},{"ja":16,"en":17,"vi":18},{"slug":45,"name":90,"color":50},{"ja":47,"en":48,"vi":49},{"slug":92,"title":93,"topic":97},"turtle-tower-hanoi",{"ja":94,"en":95,"vi":96},"ホアンキエム湖、亀の塔","Turtle Tower, Hoàn Kiếm Lake","Tháp Rùa giữa hồ Gươm",{"slug":81,"name":98,"color":86},{"ja":83,"en":84,"vi":85},{"slug":100,"title":101,"topic":105},"grey-heron-at-the-lake",{"ja":102,"en":103,"vi":104},"鷺が時をとどめる","A heron holds the hour","Con diệc giữ lấy thời khắc",{"slug":106,"name":107,"color":111},"out-of-the-frame",{"ja":108,"en":109,"vi":110},"枠の外へ","Out of the frame","Bước ra khỏi khung","#9fb3c8",{"slug":113,"title":114,"topic":118},"japanese-bridge-hoi-an",{"ja":115,"en":116,"vi":117},"ホイアンの日本橋","The Japanese Bridge, Hội An","Chùa Cầu, Hội An",{"slug":81,"name":119,"color":86},{"ja":83,"en":84,"vi":85},{"slug":121,"title":122,"topic":126},"one-lotus-at-dawn",{"ja":123,"en":124,"vi":125},"蓮の輝き","Lotus Radiance","Ánh hồng của sen",{"slug":45,"name":127,"color":50},{"ja":47,"en":48,"vi":49},{"slug":129,"title":130,"topic":134},"itsukushima-torii",{"ja":131,"en":132,"vi":133},"海に立つ鳥居","The torii that stands in the sea","Cổng torii đứng giữa biển",{"slug":81,"name":135,"color":86},{"ja":83,"en":84,"vi":85},{"slug":137,"title":138,"topic":142},"blue-bicycle-and-flowers",{"ja":139,"en":140,"vi":141},"とどまる光","Light that lingers","Ánh sáng còn vương",{"slug":106,"name":143,"color":111},{"ja":108,"en":109,"vi":110},{"slug":145,"title":146,"topic":150},"tower-bridge-london",{"ja":147,"en":148,"vi":149},"タワーブリッジと、借りてきた観覧車","Tower Bridge, with a borrowed wheel","Cầu Tháp London và vòng quay mượn về",{"slug":81,"name":151,"color":86},{"ja":83,"en":84,"vi":85},{"slug":153,"title":154,"topic":158},"red-umbrella-in-the-rain",{"ja":155,"en":156,"vi":157},"雨の石段","Rainy Steps","Bậc đá trong mưa",{"slug":45,"name":159,"color":50},{"ja":47,"en":48,"vi":49},{"slug":161,"title":162,"topic":166},"taj-mahal-agra",{"ja":163,"en":164,"vi":165},"白い紙に、白い絵具のタージ・マハル","The Taj Mahal, white paint on white paper","Taj Mahal, sơn trắng trên giấy trắng",{"slug":81,"name":167,"color":86},{"ja":83,"en":84,"vi":85},{"slug":169,"title":170,"topic":174},"lighthouse-at-evening",{"ja":171,"en":172,"vi":173},"光はまだ導く","Light still guides","Ánh sáng vẫn dẫn đường",{"slug":106,"name":175,"color":111},{"ja":108,"en":109,"vi":110},1794060854939]