[{"data":1,"prerenderedAt":176},["ShallowReactive",2],{"nav:{}":3,"work:{\"slug\":\"one-lotus-at-dawn\"}":11},{"interactive":4,"playground":6,"journal":7,"kinds":9},{"total":5},1,true,{"total":8},0,{"total":10},2,{"work":12,"works":59},{"slug":13,"code":14,"title":15,"excerpt":19,"cover":23,"images":31,"youtube":40,"demo":41,"kinds":42,"topic":44,"featured":51,"pinned":51,"publishedAt":52,"body":53,"prompt":57,"tools":58},"one-lotus-at-dawn","007",{"ja":16,"en":17,"vi":18},"蓮の輝き","Lotus Radiance","Ánh hồng của sen",{"ja":20,"en":21,"vi":22},"夜明けの靄のかかった池に、葉の上に咲く一輪の桃色の蓮。絵の半分では花びらが一枚ずつ盛られ、朝日は茎の向こうの小さな光の筋になる。","One pink lotus over its leaves in a misty pond at dawn. In the painted half, the petals are laid on one by one and the sunrise shrinks to a small sweep of light behind the stem.","Một bông sen hồng vươn trên lá giữa ao sương lúc bình minh. Ở nửa tranh vẽ, từng cánh hoa được đắp lên một, và mặt trời mọc thu lại thành một vệt sáng nhỏ sau cành sen.",{"url":24,"alt":25,"width":29,"height":30},"\u002Fimages\u002Fworks\u002Fone-lotus-at-dawn\u002Fone-lotus-at-dawn.webp",{"ja":26,"en":27,"vi":28},"上下ふたつに分かれたポスター。上は、靄のかかった池で大きな緑の葉の上に満開に咲く一輪の桃色の蓮と、水面の向こうの低い太陽の写真。下は、温かな白い紙の上に厚塗りの油彩で作り直した蓮。葉の形をした緑の絵具の帯と小さな朝日の上に立ち、タイトル Lotus Radiance、添え書き A bloom in the morning light、No. 14。","A poster in two halves. Top: a photo of one pink lotus in full bloom above large green leaves in a misty pond, the sun low over the water behind. Bottom: the lotus rebuilt in impasto oil paint on warm white paper, standing on a band of green leaf-shaped paint with a small painted sunrise, and the title Lotus Radiance, the line A bloom in the morning light, and No. 14.","Một tấm áp phích chia hai nửa. Nửa trên là bức ảnh một bông sen hồng nở trọn trên những chiếc lá xanh lớn giữa ao phủ sương, mặt trời thấp trên mặt nước phía sau. Nửa dưới là bông sen dựng lại bằng sơn dầu đắp dày trên giấy trắng ngà, đứng trên một dải sơn xanh hình lá với một vầng mặt trời nhỏ, cùng tiêu đề Lotus Radiance, dòng chữ A bloom in the morning light và No. 14.",1086,1448,[32],{"url":33,"alt":34,"width":38,"height":39},"\u002Fimages\u002Fworks\u002Fone-lotus-at-dawn\u002Fphoto.webp",{"ja":35,"en":36,"vi":37},"ポスターのもとになった生成写真。夜明けの靄のかかった池で、緑の葉の上に咲く一輪の桃色の蓮。","The generated photo the poster started from: one pink lotus above green leaves in a misty pond at dawn.","Bức ảnh được tạo ra làm điểm khởi đầu cho tấm áp phích: một bông sen hồng trên lá xanh giữa ao phủ sương lúc bình minh.",1536,1024,[],null,[43],"image",{"slug":45,"name":46,"color":50},"two-halves",{"ja":47,"en":48,"vi":49},"ふたつの半分","Two halves","Hai nửa","#e8dcc4",false,"2026-11-04T00:00:00.000Z",{"ja":54,"en":55,"vi":56},"花びらは一枚ずつ、縁に粒のような絵具をのせて盛られ、蓮の葉はプロンプトのいう色の帯になっている。\n\nこのポスターのプロンプトは、アップロードされた写真を前提にしている。でも写真はなかった。上の写真はまず次の説明から生成され、誰かが撮ったものであるかのようにプロンプトへ渡された。\n\n```text\n3:2 landscape. One pink lotus flower, fully open, standing above round green lotus leaves in a still pond at dawn, thin mist over the water, soft cool light with a warm glow on the petals, a few drops of dew. Telephoto lens at the height of the flower, shallow depth of field. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\n*Lotus Radiance* と *A bloom in the morning light* は、ポスター自身の言葉。ポスターのプロンプトは、ここでは英訳を載せている。","Each petal is laid on separately, with a beaded edge of paint, and the lotus leaves become the\nband of colour the prompt asks for.\n\nThe poster prompt expects an uploaded photo, and there was none. The photo on top was generated\nfirst, from this description, then handed to the prompt as if someone had taken it:\n\n```text\n3:2 landscape. One pink lotus flower, fully open, standing above round green lotus leaves in a still pond at dawn, thin mist over the water, soft cool light with a warm glow on the petals, a few drops of dew. Telephoto lens at the height of the flower, shallow depth of field. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\n*Lotus Radiance* and *A bloom in the morning light* are the poster's own words. The poster prompt\nis shown here in English translation.","Từng cánh hoa được đắp riêng, mép đọng những hạt sơn nhỏ, còn những chiếc lá sen trở thành dải\nmàu mà prompt yêu cầu.\n\nPrompt áp phích này cần một bức ảnh tải lên, nhưng ở đây không có bức ảnh nào. Bức ảnh phía trên\nđược tạo trước, từ mô tả sau, rồi được trao cho prompt như thể có ai đó đã chụp nó:\n\n```text\n3:2 landscape. One pink lotus flower, fully open, standing above round green lotus leaves in a still pond at dawn, thin mist over the water, soft cool light with a warm glow on the petals, a few drops of dew. Telephoto lens at the height of the flower, shallow depth of field. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\n*Lotus Radiance* và *A bloom in the morning light* là lời của chính tấm áp phích. Prompt áp phích ở\nđây được đăng bằng bản dịch tiếng Anh.","Impasto oil-painting miniature comparison poster\n\nGoal\nTurn each input photo into its own poster comparing photography and design; never combine photos. It works for people, animals, plants, architecture, objects and any kind of scene: follow what the original photo expresses, not a fixed theme.\n\nFormat and layout\nA 3:4 portrait canvas, split strictly in half, top and bottom, 50% each. The top is the photography zone, the bottom the design zone; the two meet directly along a clean horizontal edge, with no gap, gradient, feathering or overlap. All design elements and text sit inside the bottom zone; add no extra title area.\n\nPhotography zone\nKeep the original photo's real photographic texture, the subject's identity and number, outline, pose, proportions, key details, perspective, position, natural light and shadow and original colours, with only a light, refined colour grade. Secondary surroundings may be cropped or the background slightly extended, but never crop out, stretch, distort, mirror, duplicate, move or redraw the subject. No text, borders, paper texture or decoration in the photography zone.\n\nDesign zone\nTake the subject, outline, pose and spatial relationships from the same photo and rebuild them as an impasto oil-painting miniature with a sculptural sense of volume, through layered paint, palette-knife texture, hand shaping and undulating edges, rather than a mechanical copy of the photo's detail. Place the subject in the centre or slightly off it, and keep large areas of warm white paper blank; support the subject with a band of colour taken from the original photo, which may become ground, water, a path or an abstract slice of space. A few reflections, glints of light, rain or mist, or trailing strokes may stay, but add nothing unrelated.\n\nColour and material\nDraw the main colour, the secondary colours and the warm–cool relationships from the original photo, and reduce them to a harmonious, limited palette, keeping the subject's own colour character first rather than a fixed scheme. Raise the brightness and translucency of the design zone a little. Use the thickest paint for the colour band, the slices of setting and the highlights, and keep the subject finely structured; the paper shows a fine texture and a matte finish, never a plastic look.\n\nText\nIn the blank space of the design zone, place a short English title with one line of small subtitle; if needed, add a very small number or a tiny note. The type is thin and restrained, and may follow the subject's axis or the edge of the blank space. The text must come from what can be confirmed about the subject or the mood, spelled correctly; without reliable information, add no place names, dates, coordinates, brands, signatures, accounts or placeholders.\n\nMood\nQuiet, restrained and refined, with the order and collectable feel of an art publication; build the layers through material, blank space, volume and the subject's relationships.\n\nAvoid\nCombining different photos, changing the subject, unrelated top and bottom scenes, an illustrated photography zone, cluttered decoration, extra title bars, garbled or repeated text, logos, signatures, watermarks, cartoon styles, saturated clashing colours, dull muddy colours, fluorescent colours, candy filters, glossy plastic 3D, cheap CG and crowded scenes.","Codex image generation",{"items":60},[61,74,87,95,103,116,124,128,136,144,152,160,168],{"slug":62,"title":63,"topic":67},"trebuchet",{"ja":64,"en":65,"vi":66},"トレビュシェット — 13世紀の攻城兵器","The Trebuchet — a 13th-century siege engine","Trebuchet — cỗ máy công thành thế kỷ XIII",{"slug":68,"name":69,"color":73},"isekai-tour",{"ja":70,"en":71,"vi":72},"異世界ツアー","Isekai Tour","Du hành dị giới","#a8b998",{"slug":75,"title":76,"topic":80},"kinkakuji-kyoto",{"ja":77,"en":78,"vi":79},"静かな水に、金閣","Kinkaku-ji, gold on still water","Kim Các Tự, sắc vàng trên mặt nước lặng",{"slug":81,"name":82,"color":86},"palette-knife-cities",{"ja":83,"en":84,"vi":85},"パレットナイフの街","Palette-knife cities","Những thành phố bằng dao vẽ","#e9a23b",{"slug":88,"title":89,"topic":93},"ginger-cat-on-the-sill",{"ja":90,"en":91,"vi":92},"日だまりの昼寝","Sunlit Nap","Giấc ngủ trưa trong nắng",{"slug":45,"name":94,"color":50},{"ja":47,"en":48,"vi":49},{"slug":96,"title":97,"topic":101},"turtle-tower-hanoi",{"ja":98,"en":99,"vi":100},"ホアンキエム湖、亀の塔","Turtle Tower, Hoàn Kiếm Lake","Tháp Rùa giữa hồ Gươm",{"slug":81,"name":102,"color":86},{"ja":83,"en":84,"vi":85},{"slug":104,"title":105,"topic":109},"grey-heron-at-the-lake",{"ja":106,"en":107,"vi":108},"鷺が時をとどめる","A heron holds the hour","Con diệc giữ lấy thời khắc",{"slug":110,"name":111,"color":115},"out-of-the-frame",{"ja":112,"en":113,"vi":114},"枠の外へ","Out of the frame","Bước ra khỏi khung","#9fb3c8",{"slug":117,"title":118,"topic":122},"japanese-bridge-hoi-an",{"ja":119,"en":120,"vi":121},"ホイアンの日本橋","The Japanese Bridge, Hội An","Chùa Cầu, Hội An",{"slug":81,"name":123,"color":86},{"ja":83,"en":84,"vi":85},{"slug":13,"title":125,"topic":126},{"ja":16,"en":17,"vi":18},{"slug":45,"name":127,"color":50},{"ja":47,"en":48,"vi":49},{"slug":129,"title":130,"topic":134},"itsukushima-torii",{"ja":131,"en":132,"vi":133},"海に立つ鳥居","The torii that stands in the sea","Cổng torii đứng giữa biển",{"slug":81,"name":135,"color":86},{"ja":83,"en":84,"vi":85},{"slug":137,"title":138,"topic":142},"blue-bicycle-and-flowers",{"ja":139,"en":140,"vi":141},"とどまる光","Light that lingers","Ánh sáng còn vương",{"slug":110,"name":143,"color":115},{"ja":112,"en":113,"vi":114},{"slug":145,"title":146,"topic":150},"tower-bridge-london",{"ja":147,"en":148,"vi":149},"タワーブリッジと、借りてきた観覧車","Tower Bridge, with a borrowed wheel","Cầu Tháp London và vòng quay mượn về",{"slug":81,"name":151,"color":86},{"ja":83,"en":84,"vi":85},{"slug":153,"title":154,"topic":158},"red-umbrella-in-the-rain",{"ja":155,"en":156,"vi":157},"雨の石段","Rainy Steps","Bậc đá trong mưa",{"slug":45,"name":159,"color":50},{"ja":47,"en":48,"vi":49},{"slug":161,"title":162,"topic":166},"taj-mahal-agra",{"ja":163,"en":164,"vi":165},"白い紙に、白い絵具のタージ・マハル","The Taj Mahal, white paint on white paper","Taj Mahal, sơn trắng trên giấy trắng",{"slug":81,"name":167,"color":86},{"ja":83,"en":84,"vi":85},{"slug":169,"title":170,"topic":174},"lighthouse-at-evening",{"ja":171,"en":172,"vi":173},"光はまだ導く","Light still guides","Ánh sáng vẫn dẫn đường",{"slug":110,"name":175,"color":115},{"ja":112,"en":113,"vi":114},1794060854941]