[{"data":1,"prerenderedAt":176},["ShallowReactive",2],{"nav:{}":3,"work:{\"slug\":\"red-umbrella-in-the-rain\"}":11},{"interactive":4,"playground":6,"journal":7,"kinds":9},{"total":5},1,true,{"total":8},0,{"total":10},2,{"work":12,"works":59},{"slug":13,"code":14,"title":15,"excerpt":19,"cover":23,"images":31,"youtube":40,"demo":41,"kinds":42,"topic":44,"featured":51,"pinned":51,"publishedAt":52,"body":53,"prompt":57,"tools":58},"red-umbrella-in-the-rain","003",{"ja":16,"en":17,"vi":18},"雨の石段","Rainy Steps","Bậc đá trong mưa",{"ja":20,"en":21,"vi":22},"夕暮れの雨のなか、石段に開いたまま置かれた赤い傘。絵の半分は石段と街灯と水たまりの赤を残し、縁を紙へと溶かしていく。","A red umbrella left open on stone steps in the evening rain. The painted half keeps the steps, the lamps and the red in the puddle, and lets the edges dissolve into the paper.","Một chiếc ô đỏ bỏ ngỏ trên bậc đá trong cơn mưa chiều. Nửa tranh vẽ giữ lại bậc đá, ngọn đèn và sắc đỏ trong vũng nước, rồi để các mép tan vào giấy.",{"url":24,"alt":25,"width":29,"height":30},"\u002Fimages\u002Fworks\u002Fred-umbrella-in-the-rain\u002Fred-umbrella-in-the-rain.webp",{"ja":26,"en":27,"vi":28},"上下ふたつに分かれたポスター。上は、夕暮れの雨に濡れた石段に開いたまま横たわる赤い傘と、水たまりに映る赤、奥の濡れた小道に灯る街灯の写真。下は、温かな白い紙の上に厚塗りの油彩で描いた同じ情景。縁は紙に溶け、タイトル Rainy Steps、添え書き A quiet moment in the rain、No. 01。","A poster in two halves. Top: a photo of an open red umbrella lying on wet stone steps in the rain at dusk, its red reflected in a puddle, street lamps glowing along a wet lane behind. Bottom: the same scene in impasto oil paint on warm white paper, its edges fading into the paper, with the title Rainy Steps, the line A quiet moment in the rain, and No. 01.","Một tấm áp phích chia hai nửa. Nửa trên là bức ảnh một chiếc ô đỏ đang mở nằm trên bậc đá ướt trong mưa lúc chạng vạng, sắc đỏ in xuống vũng nước, những ngọn đèn đường sáng dọc con ngõ ướt phía sau. Nửa dưới là cùng cảnh ấy bằng sơn dầu đắp dày trên giấy trắng ngà, các mép tan dần vào giấy, với tiêu đề Rainy Steps, dòng chữ A quiet moment in the rain và No. 01.",1086,1448,[32],{"url":33,"alt":34,"width":38,"height":39},"\u002Fimages\u002Fworks\u002Fred-umbrella-in-the-rain\u002Fphoto.webp",{"ja":35,"en":36,"vi":37},"ポスターのもとになった生成写真。夕暮れの雨のなか、濡れた石段に開いた赤い傘、奥に街灯。","The generated photo the poster started from: an open red umbrella on wet stone steps in the evening rain, street lamps behind.","Bức ảnh được tạo ra làm điểm khởi đầu cho tấm áp phích: chiếc ô đỏ đang mở trên bậc đá ướt trong mưa chiều, phía sau là đèn đường.",1536,1024,[],null,[43],"image",{"slug":45,"name":46,"color":50},"two-halves",{"ja":47,"en":48,"vi":49},"ふたつの半分","Two halves","Hai nửa","#e8dcc4",false,"2026-11-04T00:00:00.000Z",{"ja":54,"en":55,"vi":56},"縁は、雨の窓の向こうで通りがぼやけていくように、柔らかく溶けていく。\n\nこのポスターのプロンプトは、アップロードされた写真を前提にしている。でも写真はなかった。上の写真はまず次の説明から生成され、誰かが撮ったものであるかのようにプロンプトへ渡された。\n\n```text\n3:2 landscape. An open red umbrella left on old grey stone steps in the rain at dusk, raindrops bouncing on its canopy, its red reflected in a puddle, warm lamplight blurred in the background, fine rain visible in the air. 35mm lens, slightly above eye level. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\n*Rainy Steps* と *A quiet moment in the rain* は、ポスター自身の言葉。ポスターのプロンプトは、ここでは英訳を載せている。","The edges go soft the way a street does behind a rainy window.\n\nThe poster prompt expects an uploaded photo, and there was none. The photo on top was generated\nfirst, from this description, then handed to the prompt as if someone had taken it:\n\n```text\n3:2 landscape. An open red umbrella left on old grey stone steps in the rain at dusk, raindrops bouncing on its canopy, its red reflected in a puddle, warm lamplight blurred in the background, fine rain visible in the air. 35mm lens, slightly above eye level. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\n*Rainy Steps* and *A quiet moment in the rain* are the poster's own words. The poster prompt is\nshown here in English translation.","Các mép nhòe đi như con phố sau một ô cửa kính mưa.\n\nPrompt áp phích này cần một bức ảnh tải lên, nhưng ở đây không có bức ảnh nào. Bức ảnh phía trên\nđược tạo trước, từ mô tả sau, rồi được trao cho prompt như thể có ai đó đã chụp nó:\n\n```text\n3:2 landscape. An open red umbrella left on old grey stone steps in the rain at dusk, raindrops bouncing on its canopy, its red reflected in a puddle, warm lamplight blurred in the background, fine rain visible in the air. 35mm lens, slightly above eye level. A real photograph, not an illustration. No people, no text, no logos, no watermark.\n```\n\n*Rainy Steps* và *A quiet moment in the rain* là lời của chính tấm áp phích. Prompt áp phích ở đây\nđược đăng bằng bản dịch tiếng Anh.","Impasto oil-painting miniature comparison poster\n\nGoal\nTurn each input photo into its own poster comparing photography and design; never combine photos. It works for people, animals, plants, architecture, objects and any kind of scene: follow what the original photo expresses, not a fixed theme.\n\nFormat and layout\nA 3:4 portrait canvas, split strictly in half, top and bottom, 50% each. The top is the photography zone, the bottom the design zone; the two meet directly along a clean horizontal edge, with no gap, gradient, feathering or overlap. All design elements and text sit inside the bottom zone; add no extra title area.\n\nPhotography zone\nKeep the original photo's real photographic texture, the subject's identity and number, outline, pose, proportions, key details, perspective, position, natural light and shadow and original colours, with only a light, refined colour grade. Secondary surroundings may be cropped or the background slightly extended, but never crop out, stretch, distort, mirror, duplicate, move or redraw the subject. No text, borders, paper texture or decoration in the photography zone.\n\nDesign zone\nTake the subject, outline, pose and spatial relationships from the same photo and rebuild them as an impasto oil-painting miniature with a sculptural sense of volume, through layered paint, palette-knife texture, hand shaping and undulating edges, rather than a mechanical copy of the photo's detail. Place the subject in the centre or slightly off it, and keep large areas of warm white paper blank; support the subject with a band of colour taken from the original photo, which may become ground, water, a path or an abstract slice of space. A few reflections, glints of light, rain or mist, or trailing strokes may stay, but add nothing unrelated.\n\nColour and material\nDraw the main colour, the secondary colours and the warm–cool relationships from the original photo, and reduce them to a harmonious, limited palette, keeping the subject's own colour character first rather than a fixed scheme. Raise the brightness and translucency of the design zone a little. Use the thickest paint for the colour band, the slices of setting and the highlights, and keep the subject finely structured; the paper shows a fine texture and a matte finish, never a plastic look.\n\nText\nIn the blank space of the design zone, place a short English title with one line of small subtitle; if needed, add a very small number or a tiny note. The type is thin and restrained, and may follow the subject's axis or the edge of the blank space. The text must come from what can be confirmed about the subject or the mood, spelled correctly; without reliable information, add no place names, dates, coordinates, brands, signatures, accounts or placeholders.\n\nMood\nQuiet, restrained and refined, with the order and collectable feel of an art publication; build the layers through material, blank space, volume and the subject's relationships.\n\nAvoid\nCombining different photos, changing the subject, unrelated top and bottom scenes, an illustrated photography zone, cluttered decoration, extra title bars, garbled or repeated text, logos, signatures, watermarks, cartoon styles, saturated clashing colours, dull muddy colours, fluorescent colours, candy filters, glossy plastic 3D, cheap CG and crowded scenes.","Codex image generation",{"items":60},[61,74,87,95,103,116,124,132,140,148,156,160,168],{"slug":62,"title":63,"topic":67},"trebuchet",{"ja":64,"en":65,"vi":66},"トレビュシェット — 13世紀の攻城兵器","The Trebuchet — a 13th-century siege engine","Trebuchet — cỗ máy công thành thế kỷ XIII",{"slug":68,"name":69,"color":73},"isekai-tour",{"ja":70,"en":71,"vi":72},"異世界ツアー","Isekai Tour","Du hành dị giới","#a8b998",{"slug":75,"title":76,"topic":80},"kinkakuji-kyoto",{"ja":77,"en":78,"vi":79},"静かな水に、金閣","Kinkaku-ji, gold on still water","Kim Các Tự, sắc vàng trên mặt nước lặng",{"slug":81,"name":82,"color":86},"palette-knife-cities",{"ja":83,"en":84,"vi":85},"パレットナイフの街","Palette-knife cities","Những thành phố bằng dao vẽ","#e9a23b",{"slug":88,"title":89,"topic":93},"ginger-cat-on-the-sill",{"ja":90,"en":91,"vi":92},"日だまりの昼寝","Sunlit Nap","Giấc ngủ trưa trong nắng",{"slug":45,"name":94,"color":50},{"ja":47,"en":48,"vi":49},{"slug":96,"title":97,"topic":101},"turtle-tower-hanoi",{"ja":98,"en":99,"vi":100},"ホアンキエム湖、亀の塔","Turtle Tower, Hoàn Kiếm Lake","Tháp Rùa giữa hồ Gươm",{"slug":81,"name":102,"color":86},{"ja":83,"en":84,"vi":85},{"slug":104,"title":105,"topic":109},"grey-heron-at-the-lake",{"ja":106,"en":107,"vi":108},"鷺が時をとどめる","A heron holds the hour","Con diệc giữ lấy thời khắc",{"slug":110,"name":111,"color":115},"out-of-the-frame",{"ja":112,"en":113,"vi":114},"枠の外へ","Out of the frame","Bước ra khỏi khung","#9fb3c8",{"slug":117,"title":118,"topic":122},"japanese-bridge-hoi-an",{"ja":119,"en":120,"vi":121},"ホイアンの日本橋","The Japanese Bridge, Hội An","Chùa Cầu, Hội An",{"slug":81,"name":123,"color":86},{"ja":83,"en":84,"vi":85},{"slug":125,"title":126,"topic":130},"one-lotus-at-dawn",{"ja":127,"en":128,"vi":129},"蓮の輝き","Lotus Radiance","Ánh hồng của sen",{"slug":45,"name":131,"color":50},{"ja":47,"en":48,"vi":49},{"slug":133,"title":134,"topic":138},"itsukushima-torii",{"ja":135,"en":136,"vi":137},"海に立つ鳥居","The torii that stands in the sea","Cổng torii đứng giữa biển",{"slug":81,"name":139,"color":86},{"ja":83,"en":84,"vi":85},{"slug":141,"title":142,"topic":146},"blue-bicycle-and-flowers",{"ja":143,"en":144,"vi":145},"とどまる光","Light that lingers","Ánh sáng còn vương",{"slug":110,"name":147,"color":115},{"ja":112,"en":113,"vi":114},{"slug":149,"title":150,"topic":154},"tower-bridge-london",{"ja":151,"en":152,"vi":153},"タワーブリッジと、借りてきた観覧車","Tower Bridge, with a borrowed wheel","Cầu Tháp London và vòng quay mượn về",{"slug":81,"name":155,"color":86},{"ja":83,"en":84,"vi":85},{"slug":13,"title":157,"topic":158},{"ja":16,"en":17,"vi":18},{"slug":45,"name":159,"color":50},{"ja":47,"en":48,"vi":49},{"slug":161,"title":162,"topic":166},"taj-mahal-agra",{"ja":163,"en":164,"vi":165},"白い紙に、白い絵具のタージ・マハル","The Taj Mahal, white paint on white paper","Taj Mahal, sơn trắng trên giấy trắng",{"slug":81,"name":167,"color":86},{"ja":83,"en":84,"vi":85},{"slug":169,"title":170,"topic":174},"lighthouse-at-evening",{"ja":171,"en":172,"vi":173},"光はまだ導く","Light still guides","Ánh sáng vẫn dẫn đường",{"slug":110,"name":175,"color":115},{"ja":112,"en":113,"vi":114},1794060854941]